Το ποιητικό μοτίβο "Γάμος-Θάνατος" στην αρχαία ελληνική και την ινδοευρωπαϊκή
| dc.contributor.author | Γιαννάκης, Γεώργιος Κ. | el |
| dc.date.accessioned | 2015-11-10T08:10:58Z | |
| dc.date.available | 2015-11-10T08:10:58Z | |
| dc.identifier.uri | https://olympias.lib.uoi.gr/jspui/handle/123456789/6170 | |
| dc.identifier.uri | http://dx.doi.org/10.26268/heal.uoi.9550 | |
| dc.rights | Default License | |
| dc.subject | Γλωσσικά εκφραστικά μέσα | el |
| dc.subject | Παραλληλισμός Γάμος-Θάνατος | el |
| dc.title | Το ποιητικό μοτίβο "Γάμος-Θάνατος" στην αρχαία ελληνική και την ινδοευρωπαϊκή | el |
| heal.abstract | In the paper the common metaphor "marriage-as-death” in Ancient Greek and Indo-European is examined from the point of view of lexical- -cultural semantics. The focus of the study is the linguistic expression of the metaphor and the relevant imagery arising from or leading to it. This poetic image is part of the metaphorical language of death and dying in Indo-European as a whole, although some parts may constitute universals of human culture. The motif finds its best representation in Greek tragedy which with its themes creates a most suitable context for the use of the "marriage-death” parallelism. The parallelism of the two phenomena is seen in a series of common facts and characteristics with regard to a similar semiotic arrangement of space, time, order of acts, and of the ritual symbolism involved. Furthermore, these morphological features are paralleled by striking similarities in the language used in the two rituals. The relation between death and marriage is in many respects paradoxical, and is characterized by similarity and opposition, by a contiguity between the two which invokes similar images and creates the metaphor. Especially on the level of language, we observe overabundance of negative parallelisms, the necessary condition for the creation of the metaphor; this is achieved by means of frequent juxtapositions between the opposite poles of the comparison, according to the principle marriage ^ death ~) marriage = death or, conversely, death = marriage. In the context of the markedness theory, marriage is the unmarked pole, i.e. the structure, and provides the framework for the metaphor, whereas death is the marked pendant of the comparison, i.e. the substrucrure, and represents the metaphor itself, that is the poetic image "marriage = death”. | en |
| heal.access | free | |
| heal.bibliographicCitation | Βιβλιογραφία: σ. 110-112 | el |
| heal.bibliographicCitation | Περιλαμβάνει βιβλιογραφικές παραπομπές | el |
| heal.classification | Γάμος | el |
| heal.classification | Θάνατος | el |
| heal.classification | Δημοτικά τραγούδια | el |
| heal.classification | Ελληνική γλώσσα, Αρχαία | el |
| heal.classification | Ινδοευρωπαϊκές γλώσσες | el |
| heal.dateAvailable | 2015-11-10T08:11:58Z | |
| heal.fullTextAvailability | true | |
| heal.generalDescription | σ. 93-113 | el |
| heal.generalDescription | Περίληψη στα αγγλικά | el |
| heal.journalName | Δωδώνη: Φιλολογία: επιστημονική επετηρίδα του Τμήματος Φιλολογίας της Φιλοσοφικής Σχολής του Πανεπιστημίου Ιωαννίνων; Τόμ. 27 (1998) | el |
| heal.journalType | peer-reviewed | |
| heal.language | el | |
| heal.publicationDate | 1998 | |
| heal.publisher | Πανεπιστήμιο Ιωαννίνων. Φιλοσοφική Σχολή. Τμήμα Φιλολογίας | el |
| heal.recordProvider | Πανεπιστήμιο Ιωαννίνων. Βιβλιοθήκη και Κέντρο Πληροφόρησης | el |
| heal.type | journalArticle | |
| heal.type.el | Άρθρο περιοδικού | el |
| heal.type.en | Journal article | en |
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