Αυτοσυνειδησία και εικαστικές συμβάσεις
| dc.contributor.author | Μαρκάτου, Δώρα Φ. | el |
| dc.date.accessioned | 2021-06-17T09:19:50Z | |
| dc.date.available | 2021-06-17T09:19:50Z | |
| dc.identifier.uri | https://olympias.lib.uoi.gr/jspui/handle/123456789/31142 | |
| dc.identifier.uri | http://dx.doi.org/10.26268/heal.uoi.10970 | |
| dc.rights | Attribution-NonCommercial-NoDerivs 3.0 United States | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/us/ | * |
| dc.subject | Αυτοπροσωπογραφίες | el |
| dc.subject | Έλληνες Ζωγράφοι | |
| dc.subject | Ανθρωπιστικά πορτραίτα | |
| dc.title | Αυτοσυνειδησία και εικαστικές συμβάσεις | el |
| heal.abstract | SELF-CONCIENCE AND VISUAL CONVENTIONS: SELF - PORTRAITS BY NINETEENTH - CENTURY GREEK PAINTERS. The subject of this paper is the self portrait, and, in particular, the ways in which Greek painters of the 19th century supported and expanded the genre. After a short introduction to the subject, a series of self -portraits of painters who lived beyond the borders of the newly established Greek state are analysed in this paper. From an iconographic aspect, their works follow the established visual conventions and they are created within the frame of a specific artistic trend, reflecting theoretical discussions and conflicts of their times. By the end of the 19th century the self portrait had lost its distinctive elements and was usually not considered as different from the portrait. From the 1860’s, many Greek painters created portraits of themselves in order to express their personal success, and also, to manifest the improvement of the social position of the Greek artists, in general. A leading example of such a focus of intention can be seen in the self portraits of Nikeforos Lytras. Summing up, the Greek painters of 19th Century have followed their west European colleagues and have achieved to express their self - conscience by their self-portraits. This proves that Greek art has evolved as a branch of European art in this specific field too. | el |
| heal.access | free | el |
| heal.bibliographicCitation | Βιβλιογραφία: σ. 428-432 | el |
| heal.bibliographicCitation | Περιλαμβάνει βιβλιογραφικές παραπομπές | |
| heal.classification | Προσωπογραφίες | |
| heal.classification | Ζωγράφοι, Έλληνες--Προσωπογραφίες--17ος-20ός αιώνα | |
| heal.dateAvailable | 2021-06-17T09:20:51Z | |
| heal.fullTextAvailability | true | |
| heal.generalDescription | σ. [407]-436 | el |
| heal.generalDescription | Περίληψη στα αγγλικά | el |
| heal.journalName | Δωδώνη: Ιστορία και Αρχαιολογία: επιστημονική επετηρίδα του Τμήματος Ιστορίας και Αρχαιολογίας της Φιλοσοφικής Σχολής του Πανεπιστημίου Ιωαννίνων; Τόμος 38-42 (2008-2013) | el |
| heal.journalType | peer-reviewed | el |
| heal.language | el | el |
| heal.publicationDate | 2008-2013 | |
| heal.publisher | Πανεπιστήμιο Ιωαννίνων. Φιλοσοφική Σχολή. Τμήμα Ιστορίας και Αρχαιολογίας | el |
| heal.recordProvider | Πανεπιστήμιο Ιωαννίνων. Βιβλιοθήκη και Κέντρο Πληροφόρησης | el |
| heal.secondaryTitle | Αυτοπροσωπογραφίες Ελλήνων ζωγράφων τον 19ο αιώνα | el |
| heal.type | journalArticle | el |
| heal.type.el | Άρθρο περιοδικού | el |
| heal.type.en | Journal article | en |
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