Adornos Kritik an der Kulturindustrie
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Ράντης, Κωνσταντίνος
Rantis, Konstantinos
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Πανεπιστήμιο Ιωαννίνων. Φιλοσοφική Σχολή. Τμήμα Φιλοσοφίας, Παιδαγωγικής και Ψυχολογίας
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peer-reviewed
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Δωδώνη: Μέρος Τρίτο: επιστημονική επετηρίδα του Τμήματος Φιλοσοφίας, Παιδαγωγικής και Ψυχολογίας της Φιλοσοφικής Σχολής του Πανεπιστημίου Ιωαννίνων; Τόμ. 37 (2014-2015)
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The article focuses on Adorno’s radical critique of cultural industry, examining
the concept itself as well as its implications, such as the cultural commodities, its
ideological character, the calculated incorporation of its clients, and its elimination
of the individual subject. Beyond the critical evaluation of Adorno’s conclusions and
predictions, this text is looking at their counter-critique and its chief argument
that capitalist cultural industry does not merely implicate a mechanical reproduction
of the status quo, but that it is even reinforced through criticism, and renewed by its
creation of a form of pseudo-pluralism. Cultural industry, therefore, is marked by the
transition from sublimation as unfulfilled fulfillment to repressive de-sublimation.
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Πολιτιστική βιομηχανία, Πολιτιστική ανάπτυξη και βιομηχανία, Κουλτούρα, Κριτική Adorno
Subject classification
Adorno, Theodor W., 1903-1969, Φιλοσοφία, Σύγχρονη--20ς αιώνας, Πολιτισμός--Βιομηχανίες, Πολιτισμός--Φιλοσοφία
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de
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σ. [107]-125
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Πανεπιστήμιο Ιωαννίνων. Βιβλιοθήκη και Κέντρο Πληροφόρησης
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Βιβλιογραφία: σ. 122-125
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Except where otherwised noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States